Reviews

  1. Royal Ballet in La Fille mal gardée at Royal Opera House

    Press Review Luke Jennings, Observer, Tuesday 2 May 2006Performance 21 April - 20 May

    “Miyako Yoshida is an enchanting Lise, her gentle wit and nuanced style concealing the role’s considerable technical demands.” 

  2. Breakin' Convention at Sadler's Wells

    Press Review Judith Mackrell, Guardian, Tuesday 2 May 2006Performance 28-30 April

    “As a forum for all types of hip-hop – from old skool breakdance to new skool krump – Breakin’ Convention may be unparalleled in Britain. But none of the acts I saw on Saturday could justify the claim that anyone was breaking new ground.”  

  3. Royal Ballet in La Fille mal gardée at Royal Opera House

    Press Review Mark Monahan, Telegraph, Friday 28 April 2006Performance 21 April - 20 May

    “The Hispanic couple of Argentinian Marianela Nuñez and Cuban Carlos Acosta just crackled in each other’s company, in both the broadest strokes of movement and in the finest details.” 

  4. Royal Ballet in La Fille mal gardée at Royal Opera House

    Press Review Zoë Anderson, Independent, Friday 28 April 2006Performance 21 April - 20 May

    “Simone is danced by a man, in this case William Tuckett. He’s an irresistible Widow, all the funnier for the seriousness of his dancing.”  

  5. Companhia de Dança Deborah Colker in Knot at Barbican Theatre

    Press Review Zoë Anderson, Independent, Friday 28 April 2006Performance 25 - 29 April.06

    “Colker’s athletic choreography is oddly aimless.”  

  6. Companhia de Dança Deborah Colker in Knot at Barbican Theatre

    Press Review Elena Seymenliyska, Telegraph, Friday 28 April 2006Performance 25 - 29 April.06

    “The result is exhilarating, intense and, at times, uncomfortable, a highly charged exposé of sexual dynamics.” 

  7. Royal Ballet in Giselle at Royal Opera House

    Press Review Debra Craine, Times, Wednesday 26 April 2006Performance 15-29 April

    ‘Now that Jonathan Cope has retired, Edward Watson is the only British male principal left at the Royal Ballet. And although he’s made his mark in a variety of 20th-century roles, this performance of Giselle was his first appearance as a 19th-century leadi… 

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