Reviews

  1. The Place Prize Finals 2013

    Press Review 3Judith Mackrell, Guardian, Tuesday 23 April 2013Performance 17 - 27 April 2013

    Three white-clad women are choreographed into a sheeringly elegant engine of angled, pumping limbs, unlike anything I have seen before. Yet the work also has a mysterious emotional quality, especially in the dying fall of the final solo. Athletes is the hardest of the … 

  2. Royal Ballet - Edward Watson & Mara Galeazzi in 'Mayerling'. Photo: Bill Cooper

    Review: Royal Ballet - Mayerling - Royal Opera House

    Graham Watts, Monday 22 April 2013— Performance: in rep until 15 June 2013

    If ballet came with the kind of levels that categorise the complexity of a computer game, then 'Mayerling' would need the most advanced tag possible.. Continue Reading

  3. English National Ballet - Ecstasy and Death - London Coliseum

    Press Review 3Zoe Anderson, Independent, Monday 22 April 2013Performance 18 - 21 April 2013

    It’s an uneven bill, but it shows the company in strong shape.  

  4. Tom Dale Company  'Refugees of the Septic Heart'

    Review: Tom Dale Company - Refugees of the Septic Heart - Laban Theatre

    Sanjoy Roy, Monday 22 April 2013— Performance: 19 & 20 April 2013

    Some thirty years on, Tom Dale channels the cosmic, grandiloquent spirit of prog rock. 'Refugees of the Septic Heart' is not a dance performance, it’s a choreographic concept album... Continue Reading

  5. Royal Ballet - Mayerling - Royal Opera House

    Press Review 4Zoe Anderson, Independent, Monday 22 April 2013Performance in rep until 15 June 2013

    Sarah Lamb’s Larisch has a delight in power, without losing tenderness for Rudolf. Zenaida Yanowsky is superb as Rudolf’s mother, with flowing, regal lines and conflicting emotions.  

  6. Royal Ballet - Mayerling - Royal Opera House

    Press Review 5Clement Crisp, Financial Times, Monday 22 April 2013Performance in rep until 15 June 2013

    This Mayerling told of the greatness of the troupe, of its dramatic power as an ensemble, its musical sensibilities, its integrity of means – its national significance, in sum.  

  7. The Place Prize Finals 2013

    Press Review 3Lyndsey Winship, Evening Standard, Monday 22 April 2013Performance 17 - 27 April 2013

    What does this show tell us about contemporary dance in 2013? That spoken words, voiceovers, autobiography and humour are in. That abstract dancing to nice music is out.  

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