Reviews

  1. Review: Sampled - Sadler's wells

    Josephine Leask , Monday 6 February 2017 — Performance: 3 & 4 February

    ...dynamic, interactive exhibition centre and presents not only a cross-section of choreographic gems, but also workshops, demonstrations, live- DJ’ing and Beatboxing...refreshing is that each sample offer… Continue Reading

  2. The cast of Trisha Brown's 'Set and Reset' performing in Tate Modern's The Tank

    Set and Reset - Trisha Brown, Rauschenberg and composer Laurie Anderson

    Press Review 4Zoë Anderson , The Independent, Monday 6 February 2017Performance

    Robert Rauschenberg, whose work embraced pop art, abstract impressionism and dance (both as a performer and as a designer)...Trisha Brown’s Set and Reset is a glowing celebration of art as collaboration, as layered and lovely as the Robert Rauschenberg collages on i… 

  3. Review: German Cornejo and Gisela Galeassi - Tango Fire - Peacock Theatre

    Vikki Jane Broad, Wednesday 1 February 2017 — Performance:

    Tango Fire is undoubtedly a an enticing and sizzling display filled with a blur of fast footwork from end to end with every couple bringing a different dynamic to the stage. Cornejo’s fans were certainly ve… Continue Reading

  4. English National Ballet - Giselle - London Coliseum

    Press Review 4, Evening Standard, Monday 30 January 2017Performance

    A traditional production with a beautiful central performance. the story of a peasant girl who dies of a broken heart when betrayed by her nobleman lover (don't worry, it all comes back to haunt him), but whatever the age, Giselle can be a ballet of great power, espe… 

  5. Wayne McGregor - Woolf Works - Royal Opera House

    Press Review 4Jane Shilling, The Telegraph, Monday 30 January 2017Performance

    McGregor’s choreography plangently suggests the fleeting passage of life and light, until the final, inexorable darkness that ends a work whose subtle play of intellect and emotion make it, not merely a beautiful exercise in narrative metamorphosis, but a meditation… 

  6. Royal Ballet - Les Enfants Terribles – Barbican

    Press Review 3Mark Monahan, The Telegraph, Monday 30 January 2017Performance

    Moreover, Glass’s unusually spiky score – for just three pianos – is less immersive than you might hope...De Frutos’s enjoyably impish dash of Last Supper imagery in the latter stages. But it all ultimately feels remote: an intriguing and mildy out… 

  7. Dewey Dell - Marzo - The Pit, Barbican

    Press Review 2, The Observer , Monday 30 January 2017Performance

    The piece is dreamily surreal. Teodora Castellucci’s choreography has a simplistic, counter-gravitational quality to it that melds seamlessly with Demetrio Castellucci’s crunching electronic score (Teodora and Demetrio are brother and sister; a third sibling, … 

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