Reviews

  1. The Company, Behind Every Man
Photo: Andrew Barber, Omnistyle

    Review: Pick of Resolution - Week 3 - The Place

    Lyndsey Winship & Emily May, Wednesday 27 January 2016 — Performance: 23 January 2016

    Resolution, the UK’s biggest dance festival for emerging artists is back for its 27th year and in full swing at The Place. Each week we’ll be sharing the reviews from one evening in the previous week, writte… Continue Reading

  2. Jakop Ahlbom Company - Horror - The Peacock

    Press Review 4Lyndsey Winship, Evening Standard, Wednesday 27 January 2016Performance 25 & 26 January 2016

    Jakop Ahlbom has made a loving homage to the genre that’s clever, thoroughly entertaining and has some genuine jump-out-of-your-seat moments. 

  3. Alexander Vantournhout & Bauke Lievens - ANECKXANDER - Jackson's Lane

    Press Review 4Lyndsey Winship, Evening Standard, Wednesday 27 January 2016Performance 22 - 24 January 2016

    Vantournhout dons platform boots and boxing gloves and levers himself into handstands and windmills and flips, repeatedly testing himself as if serving some sort of gymnastic penance. 

  4. The Royal Ballet - Rhapsody / The Two Pigeons - Royal Opera House

    Press Review Luke Jennings, Observer, Wednesday 27 January 2016Performance 16 - 30 January 2016

    Hayward is astonishing. Tiny, effortlessly musical, with a radiance of line that illuminates every corner of the stage, she dances from within, outwards. 

  5. Babafish - Expiry Date - The Pit, Barbican

    Press Review 3Lyndsey Winship, Evening Standard, Wednesday 27 January 2016Performance 19 - 23 January 2016

    Anna Nilsson plays, at one point, the disease that may be eating away at our protagonist, her acrobat’s body warping and mutating, before moving into a hypnotic handstanding solo 

  6. The Royal Ballet - Rhapsody / The Two Pigeons - Royal Opera House

    Press Review 4Zoë Anderson, Independent, Wednesday 27 January 2016Performance 16 - 30 January 2016

    Alexander Campbell and Yuhui Choe find real emotional depth as the flighty, fluffy lovers 

  7. The Royal Ballet - Rhapsody / The Two Pigeons - Royal Opera House

    Press Review 4Judith Mackrell, Guardian, Wednesday 27 January 2016Performance 16 - 30 January 2016

    When the two dancers meet and melt into their central pas de deux, the lyricism of their suspended lifts, the lavish meshing of their bodies is all the more transcendent for having been hard won 

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