I think this American in Paris proves problematic. For a dance to fully express a narrative moment it needs time to unravel – but this disrupts the musical’s flow and makes for pauses and longueurs. … Continue Reading
After 18 years of sharing information and promoting dialogue on what is happening in dance across the capital, Londondance.com is closing.
The decision to close the website was announced in summer 2019 and no new content has been published since then.
In response to an ongoing dialogue with the dance community, Sadler’s Wells is finalising arrangements for material hosted on the site to be archived, so that it may be publicly preserved as a resource. Until a permanent archive is created, Londondance.com remains online; it will not close on 5 February 2020 at 23:59 GMT as previously stated.
More information here. Thank you for having been a part of Londondance.com.
