February 2015

  1. Royal Ballet - Onegin - Royal Opera House

    Press Review 5Laura Thompson, , Monday 2 February 2015Performance 24 January - 27 February 2015

    She [Natalia Osipova] creates a force field so intense as to overwhelm the detailed progress of the character. She does not act, so much as hurl herself from emotion to emotion…See her, at any cost. 

  2. Royal Ballet - Onegin - Royal Opera House

    Press Review 4Judith Mackrell, Guardian, Monday 2 February 2015Performance 24 January - 27 February 2015

    For a dancer, there’s a very fine line between interpreting choreography and changing it – between bending the contours of a phrase and actually reinventing the steps. Yet for a dancer like Natalia Osipova it’s often when she’s closest to taking liberties with he… 

  3. Peeping Tom '32 rue Vandenbranden' Photo: Herman Sorgeloos

    Peeping Tom - 32 rue Vandenbranden - Barbican Theatre

    Jeffrey Gordon Baker, Monday 2 February 2015 — Performance: 28 - 31 January 2015

    Conspicuously in evidence is a hefty dose of the slapstick-on-a-razor’s-edge-of-pathos and the episodic scene cycling that are hallmarks of Tanztheater, but the balance here between theatre and dance is awkward. Continue Reading

  4. Royal Ballet - Onegin - Royal Opera House

    Press Review 4Luke Jennings, Guardian, Sunday 1 February 2015Performance 24 January - 27 February 2015

    Muntagirov is, quite simply, the finest Lensky I’ve ever seen. 

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